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dc.contributor.authorTupman, CML
dc.contributor.authorFreeman, M
dc.contributor.authorBartie, A
dc.contributor.authorFleming, L
dc.contributor.authorHulme, T
dc.contributor.authorReadman, P
dc.date.accessioned2018-04-12T07:05:36Z
dc.date.issued2017-06-08
dc.description.abstractThis article examines the ways in which the First World War was represented in historical pageants during the interwar period. Pageants in this period are often overlooked as sites of commemoration and dramatic representation. Three types of pageant are identified: those that portrayed the war hyper‐realistically, those which relied on symbolism and allegory to convey messages about war and peace, and those which sought to incorporate the war into the longer histories of the communities whose pasts they depicted. The article argues that ‘traditional’ forms of representation of the past proved to be resilient features of popular commemoration and remembrance.
dc.identifier.citationVol. 90 (249), pp. 636-661.en_GB
dc.identifier.doi10.1111/1468-2281.12189
dc.identifier.urihttp://hdl.handle.net/10871/32415
dc.language.isoenen_GB
dc.publisherWileyen_GB
dc.rights.embargoreasonUnder embargo until 08 June 2019 in compliance with publisher policy.en_GB
dc.rights© 2017 The Authors. Historical Research published by John Wiley & Sons Ltd on behalf of Institute of Historical Research, University of London. This is an open access article under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits use, distribution and reproduction in any medium, provided the original work is properly cited.
dc.title"And Those Who Live, How Shall I Tell Their Fame?" Historical Pageants, Collective Remembrance and the First World War 1919-1939en_GB
dc.typeArticleen_GB
dc.identifier.issn1468-2281
dc.descriptionThis is the author accepted manuscript. The final version is available from Wiley via the DOI in this record.en_GB
dc.identifier.journalHistorical Researchen_GB


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