| dc.contributor.author | O'Malley, EM | |
| dc.date.accessioned | 2018-07-13T11:32:48Z | |
| dc.date.issued | 2018-06-05 | |
| dc.description.abstract | Book Review | en_GB |
| dc.identifier.citation | Published online 05 June 2018. | en_GB |
| dc.identifier.doi | 10.1080/14682761.2018.1478381 | |
| dc.identifier.uri | http://hdl.handle.net/10871/33440 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Taylor & Francis (Routledge) | en_GB |
| dc.rights.embargoreason | Under embargo until 05 December 2019 in compliance with publisher policy. | en_GB |
| dc.rights | © 2018 Evelyn O’Malley | en_GB |
| dc.title | This contentious storm: an ecocritical and performance history of King Lear | en_GB |
| dc.type | Article | en_GB |
| dc.identifier.issn | 1468-2761 | |
| exeter.confidential | false | en_GB |
| dc.description | This is the author accepted manuscript. The final version is available from Taylor & Francis (Routledge) via the DOI in this record. | en_GB |
| dc.identifier.journal | Studies in Theatre and Performance | en_GB |
