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dc.contributor.authorMcCarthy, Harry R.
dc.date.accessioned2018-07-31T08:21:20Z
dc.date.issued2018-09-01
dc.description.abstractFocusing on the Children of the Queen’s Revels’ final years, this dissertation offers new readings of the company, closely informed by early modern understandings of masculine ‘youth’. An engagement with the company’s repertory 1609-1613 and its changing relationship with its largely youthful, gallant audience aims to shed new light on these plays from the perspective of their engagement with the changing status of the actors who perform them. The essay thus seeks to offer fresh insight on the Whitefriars ‘children’ as distinct from the company of actual children from which they evolved.en_GB
dc.identifier.citationVol. 85 (3), pp. 599-629.en_GB
dc.identifier.doi10.1353/elh.2018.0022
dc.identifier.urihttp://hdl.handle.net/10871/33600
dc.language.isoenen_GB
dc.publisherJohns Hopkins University Pressen_GB
dc.rights© 2018 by Johns Hopkins University Press.
dc.subjectearly modernen_GB
dc.subjectboy actoren_GB
dc.subjectWhitefriarsen_GB
dc.subjectNathan Fielden_GB
dc.subjectrepertoryen_GB
dc.subjectChildren of the Queen's Revelsen_GB
dc.subjectyouthen_GB
dc.subjectmasculinityen_GB
dc.titleMen in the Making: Youth, the Repertory, and the "Children'' of the Queen's Revels, 1609-13en_GB
dc.typeArticleen_GB
dc.identifier.issn0013-8304
dc.descriptionThis is the author accepted manuscript. The final version is available from Johns Hopkins University Press via the DOI in this record.en_GB
dc.identifier.journalELH: English Literary Historyen_GB


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