| dc.contributor.author | Thomaidis, K | |
| dc.date.accessioned | 2018-10-01T09:05:36Z | |
| dc.date.issued | 2019-02-15 | |
| dc.identifier.citation | In: Time and Performer Training, edited by Mark Evans, Konstantinos Thomaidis and Libby Worth, Chapter 16, pp. 151-165. | en_GB |
| dc.identifier.doi | 10.4324/9781351180368 | |
| dc.identifier.uri | http://hdl.handle.net/10871/34157 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Routledge | en_GB |
| dc.rights.embargoreason | Under embargo until 15 August 2020 in compliance with publisher policy. | en_GB |
| dc.rights | © 2019 selection and editorial matter, Mark Evans, Konstantinos Thomaidis and Libby Worth; individual chapters, the contributors. | |
| dc.subject | voice | en_GB |
| dc.subject | temporality | en_GB |
| dc.subject | vocal presence | en_GB |
| dc.subject | idiotopic esochrony | en_GB |
| dc.subject | allotopic exochrony | en_GB |
| dc.title | The always-not-yet / always-already of voice perception: training towards vocal presence | en_GB |
| dc.type | Book chapter | en_GB |
| dc.relation.isPartOf | Time and Performer Training | en_GB |
| dc.description | This is the author accepted manuscript. The final version is available from Routledge via the DOI in this record. | en_GB |
