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dc.contributor.authorWilliams, PG
dc.date.accessioned2018-11-08T10:19:56Z
dc.date.issued2019-05-14
dc.description.abstractBetween 1976 and 1979 Byron Preiss operated as a book packager specializing in graphic novels, bringing comics creators together on original stories and licensed properties and delivering the finished product to publishing houses. Far from being praised for his efforts, Preiss was attacked by fans and comics professionals for betraying the very medium he professed to uplift. This article explains the industrial shifts behind the rise of Byron Preiss Visual Publications and book-format comics, as well as accounting for the hostility directed against Preiss, a level of vitriol that increased after his collaborators on Empire (1978) expressed their dismay at the changes he made to the graphic novel before publication.en_GB
dc.description.sponsorshipThe research underpinning this article was generously supported by the Arts and Humanities Research Council.en_GB
dc.identifier.citationPublished online 14 May 2019.en_GB
dc.identifier.doi10.1017/S0021875818001494
dc.identifier.urihttp://hdl.handle.net/10871/34670
dc.language.isoenen_GB
dc.publisherCambridge University Press (CUP) / British Association for American Studiesen_GB
dc.rights© Cambridge University Press and British Association for American Studies 2019.
dc.titleThe Strange Case of Byron Preiss Visual Publicationsen_GB
dc.typeArticleen_GB
dc.identifier.issn0021-8758
dc.descriptionThis is the author accepted manuscript. The final version is available from Cambridge University Press via the DOI in this record.en_GB
dc.identifier.journalJournal of American Studiesen_GB
refterms.dateFOA2019-05-21T15:11:12Z


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