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dc.contributor.authorMorrison, BL
dc.date.accessioned2019-03-14T09:26:03Z
dc.date.issued2018-05-19
dc.identifier.citationIssue 8, pp. 7-13en_GB
dc.identifier.urihttp://hdl.handle.net/10871/36459
dc.language.isoenen_GB
dc.publisherUniversity of Warwicken_GB
dc.relation.urlhttps://warwick.ac.uk/fac/arts/film/movie/pastissues/
dc.rights© 2018 The Author. Open Access Statement: Movie: A Journal of Film Criticism is committed to open access for academic work. All of our articles are free to access immediately from the date of publication. We do not charge our authors any fees for publication or processing, nor do we charge readers to download articles. Movie: A Journal of Film Criticism is free to all at any time and in perpetuity. Our authors retain copyright over the work they publish in our journal, without restrictions.en_GB
dc.titleInarticulate lives: a reading of the opening to Terence Davies’ The Long Day Closesen_GB
dc.typeArticleen_GB
dc.date.available2019-03-14T09:26:03Z
dc.identifier.issn2047-1661
dc.descriptionThis is the author accepted manuscript. The final version is available from the University of Warwick via the link in this recorden_GB
dc.identifier.journalMovie: a Journal of Film Criticismen_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dcterms.dateAccepted2018-04-19
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2018-04-19
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2019-03-14T09:16:30Z
refterms.versionFCDAM
refterms.dateFOA2019-06-28T13:22:42Z
refterms.panelDen_GB


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