dc.contributor.author | Morrison, BL | |
dc.date.accessioned | 2019-03-14T09:26:03Z | |
dc.date.issued | 2018-05-19 | |
dc.identifier.citation | Issue 8, pp. 7-13 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/36459 | |
dc.language.iso | en | en_GB |
dc.publisher | University of Warwick | en_GB |
dc.relation.url | https://warwick.ac.uk/fac/arts/film/movie/pastissues/ | |
dc.rights | © 2018 The Author.
Open Access Statement:
Movie: A Journal of Film Criticism is committed to open access for academic work. All of our articles are free to access immediately from the date of publication. We do not charge our authors any fees for publication or processing, nor do we charge readers to download articles. Movie: A Journal of Film Criticism is free to all at any time and in perpetuity. Our authors retain copyright over the work they publish in our journal, without restrictions. | en_GB |
dc.title | Inarticulate lives: a reading of the opening to Terence Davies’ The Long Day Closes | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2019-03-14T09:26:03Z | |
dc.identifier.issn | 2047-1661 | |
dc.description | This is the author accepted manuscript. The final version is available from the University of Warwick via the link in this record | en_GB |
dc.identifier.journal | Movie: a Journal of Film Criticism | en_GB |
dc.rights.uri | http://www.rioxx.net/licenses/all-rights-reserved | en_GB |
dcterms.dateAccepted | 2018-04-19 | |
rioxxterms.version | AM | en_GB |
rioxxterms.licenseref.startdate | 2018-04-19 | |
rioxxterms.type | Journal Article/Review | en_GB |
refterms.dateFCD | 2019-03-14T09:16:30Z | |
refterms.versionFCD | AM | |
refterms.dateFOA | 2019-06-28T13:22:42Z | |
refterms.panel | D | en_GB |