| dc.contributor.author | Curtin, A | |
| dc.date.accessioned | 2019-07-02T10:05:44Z | |
| dc.date.issued | 2019-04-24 | |
| dc.description.abstract | This book examines how experimental artists from the twentieth century onward have explored the contagious possibilities of theatre and persuasively makes the case for the usefulness and widespread applicability of the term “viral performance.” It will be of special interest to scholars of modernist and contemporary theatre. | en_GB |
| dc.identifier.citation | Vol. 62 (2), pp. 239 - 242 | en_GB |
| dc.identifier.doi | 10.3138/md.62.2.br5 | |
| dc.identifier.uri | http://hdl.handle.net/10871/37794 | |
| dc.language.iso | en | en_GB |
| dc.publisher | University of Toronto Press | en_GB |
| dc.rights.embargoreason | Under indefinite embargo due to publisher policy | en_GB |
| dc.rights | © 2019 University of Toronto Press | en_GB |
| dc.subject | virality | en_GB |
| dc.subject | contagion | en_GB |
| dc.subject | modernism | en_GB |
| dc.title | Book review: Miriam Felton-Dansky. Viral Performance: Contagious Theaters from Modernism to the Digital Age | en_GB |
| dc.type | Book review | en_GB |
| dc.date.available | 2019-07-02T10:05:44Z | |
| dc.description | This is the author accepted manuscript. The final version is available from University of Toronto Press via the DOI in this record | en_GB |
| dc.identifier.eissn | 1712-5286 | |
| dc.identifier.journal | Modern Drama | en_GB |
| dc.rights.uri | http://www.rioxx.net/licenses/all-rights-reserved | en_GB |
| dcterms.dateAccepted | 2018-04-02 | |
| rioxxterms.version | AM | en_GB |
| rioxxterms.licenseref.startdate | 2019-04-24 | |
| rioxxterms.type | Journal Article/Review | en_GB |
| refterms.dateFCD | 2019-07-02T10:02:47Z | |
| refterms.versionFCD | AM | |
| refterms.panel | D | en_GB |
