| dc.contributor.author | Hanson, H | |
| dc.date.accessioned | 2019-07-31T12:42:28Z | |
| dc.date.issued | 2020-01-07 | |
| dc.description.sponsorship | British Academy | en_GB |
| dc.identifier.citation | Published online 7 January 2020 | en_GB |
| dc.identifier.doi | 10.1080/09612025.2019.1703537 | |
| dc.identifier.grantnumber | SG150265 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10871/38174 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Taylor & Francis (Routledge) | en_GB |
| dc.rights.embargoreason | Under embargo until 7 July 2021 in compliance with publisher policy | en_GB |
| dc.rights | © 2019 Informa UK Limited, trading as Taylor & Francis Group | |
| dc.title | Looking for Lela Simone: Singin’ in the Rain and Microhistories of Women’s Sound Work Behind the Scenes and Below-the-Line in Classical Hollywood Cinema | en_GB |
| dc.type | Article | en_GB |
| dc.date.available | 2019-07-31T12:42:28Z | |
| dc.identifier.issn | 0961-2025 | |
| dc.description | This is the author accepted manuscript. The final version is available from Taylor & Francis via the DOI in this record | en_GB |
| dc.identifier.journal | Women's History Review | en_GB |
| dc.rights.uri | http://www.rioxx.net/licenses/all-rights-reserved | en_GB |
| dcterms.dateAccepted | 2019-06-24 | |
| exeter.funder | ::British Academy | en_GB |
| rioxxterms.version | AM | en_GB |
| rioxxterms.licenseref.startdate | 2019-06-24 | |
| rioxxterms.type | Journal Article/Review | en_GB |
| refterms.dateFCD | 2019-07-31T11:45:33Z | |
| refterms.versionFCD | AM | |
| refterms.dateFOA | 2021-07-06T23:00:00Z | |
| refterms.panel | D | en_GB |
