dc.contributor.author | Kember, J | |
dc.date.accessioned | 2019-12-05T14:53:41Z | |
dc.date.issued | 2019-12-23 | |
dc.description.abstract | The lantern lecturing business diversified in a number of ways in the second half of the
nineteenth century. At the bottom end of one kind of cultural scale were individuals that we
now might think of as ‘citizen-scientists’ (or citizen-litterateurs, -travellers, -art historians, -
church historians, -entertainers &c.), who were often to be found filling schedules within
local literary and mechanics’ institutes, or, as these organisations gradually declined between
the 1850s and 1890s, within museums, libraries, or local history and photographic societies.
By contrast, the business of ‘popular lecturers’ – of speakers who could be relied upon to fill
venues wherever they travelled – was a fully commercialised concern: theirs was a market
increasingly dominated by discourses of celebrity; they tended to visit not only the usual run
of lecturing institutes but also major town halls, theatres, and concert halls, and they
frequently embarked on both national and international tours, a scale of enterprise that
usually necessitated a support network comprising lecture agencies, managers, and
impresarios. This article considers the work of three such agencies, whose networks
incorporated much of the Anglophone world for over five decades: Major James Pond’s
lecture bureau in the United States, Gerald Christy’s Lecture Agency in Britain, and R.S. and
Carlyle Smythe’s lecture management business, which stretched from South Africa to New
Zealand. Beginning by tracing the emergence of centralised popular lecturing systems in the
United States and Britain from the 1850s, the article then discusses the emergence and
consolidation of these three businesses between the 1860s and 1920s, arguing that they
should be regarded as key mobilisers of the global trade in celebrity lantern lecturing. The
article describes for the first time the global foundations for the top end of the lantern
business, and for lecturing practices that would come to be regarded as high status across
international lantern cultures. | en_GB |
dc.description.sponsorship | Arts and Humanities Research Council (AHRC) | en_GB |
dc.description.sponsorship | Australian Research Council | en_GB |
dc.identifier.citation | Vol. 17 (3-4), pp. 79-303 | en_GB |
dc.identifier.doi | 10.1080/17460654.2019.1702180 | |
dc.identifier.uri | http://hdl.handle.net/10871/39983 | |
dc.language.iso | en | en_GB |
dc.publisher | Taylor & Francis (Routledge) | en_GB |
dc.rights.embargoreason | Under embargo until 23 June 2021 in compliance with publisher policy | en_GB |
dc.rights | © 2019 Informa UK Limited, trading as Taylor & Francis Group | |
dc.subject | Major James Pond | en_GB |
dc.subject | Gerald Christy | en_GB |
dc.subject | R.S. Smythe | en_GB |
dc.subject | Carlyle Smythe | en_GB |
dc.subject | lantern lecture | en_GB |
dc.subject | lecture agency | en_GB |
dc.subject | networks | en_GB |
dc.subject | lecture brokerage | en_GB |
dc.subject | network capital | en_GB |
dc.subject | mobilities | en_GB |
dc.title | The lecture-brokers: the role of impresarios and agencies in the global Anglophone circuit for lantern lecturing, 1850-1920 | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2019-12-05T14:53:41Z | |
dc.identifier.issn | 1746-0654 | |
dc.description | This is the author accepted manuscript. The final version is available from Taylor & Francis via the DOI in this record | en_GB |
dc.identifier.journal | Early Popular Visual Culture | en_GB |
dc.rights.uri | http://www.rioxx.net/licenses/all-rights-reserved | en_GB |
dcterms.dateAccepted | 2019-12-04 | |
exeter.funder | ::Arts and Humanities Research Council (AHRC) | en_GB |
rioxxterms.version | AM | en_GB |
rioxxterms.licenseref.startdate | 2019-12-04 | |
rioxxterms.type | Journal Article/Review | en_GB |
refterms.dateFCD | 2019-12-05T12:48:09Z | |
refterms.versionFCD | AM | |
refterms.dateFOA | 2021-06-22T23:00:00Z | |
refterms.panel | D | en_GB |