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dc.contributor.authorBrand, CO
dc.contributor.authorAcerbi, A
dc.contributor.authorMesoudi, A
dc.date.accessioned2020-01-10T13:01:09Z
dc.date.issued2019-11-07
dc.description.abstractPopular music offers a rich source of data that provides insights into long-term cultural evolutionary dynamics. One major trend in popular music, as well as other cultural products such as literary fiction, is an increase over time in negatively valenced emotional content, and a decrease in positively valenced emotional content. Here we use two large datasets containing lyrics from n = 4913 and n = 159,015 pop songs respectively and spanning 1965–2015, to test whether cultural transmission biases derived from the cultural evolution literature can explain this trend towards emotional negativity. We find some evidence of content bias (negative lyrics do better in the charts), prestige bias (best-selling artists are copied) and success bias (best-selling songs are copied) in the proliferation of negative lyrics. However, the effects of prestige and success bias largely disappear when unbiased transmission is included in the models, which assumes that the occurrence of negative lyrics is predicted by their past frequency. We conclude that the proliferation of negative song lyrics may be explained partly by content bias, and partly by undirected, unbiased cultural transmission.en_GB
dc.description.sponsorshipLeverhulme Trusten_GB
dc.identifier.citationVol. 1, e11en_GB
dc.identifier.doi10.1017/ehs.2019.11
dc.identifier.grantnumberRPG-2016-122en_GB
dc.identifier.urihttp://hdl.handle.net/10871/40349
dc.language.isoenen_GB
dc.publisherCambridge University Press (CUP)en_GB
dc.rights© The Author(s) 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://crea-tivecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the originalwork is properly cited.en_GB
dc.subjectcultural evolutionen_GB
dc.subjectcultural transmissionen_GB
dc.subjectpopular musicen_GB
dc.subjectsentiment analysisen_GB
dc.subjecttransmission biasesen_GB
dc.titleCultural evolution of emotional expression in 50 years of song lyricsen_GB
dc.typeArticleen_GB
dc.date.available2020-01-10T13:01:09Z
exeter.article-numbere11en_GB
dc.descriptionThis is the final version. Available from Cambridge University Press via the DOI in this record. en_GB
dc.identifier.eissn2513-843x
dc.identifier.journalEvolutionary Human Sciencesen_GB
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en_GB
dcterms.dateAccepted2019
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2019
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2020-01-10T12:55:39Z
refterms.versionFCDVoR
refterms.dateFOA2020-01-10T13:01:17Z
refterms.panelAen_GB


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© The Author(s) 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://crea-tivecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the originalwork is properly cited.
Except where otherwise noted, this item's licence is described as © The Author(s) 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://crea-tivecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the originalwork is properly cited.