11 October 2017 | Answer the Question ‘How does nature nurture your training?’
| Morgan, I; O'Malley, E; Clarke, C; et al. |
27 November 2002 | Apocalipse 1,11 in São Paulo: Aesthetic Vertigo or Exploitation?
| Stanton, William |
1 September 2000 | Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse
| Ley, Graham |
9 September 2022 | Art for the labour movement and everyday acts of political culture
| Hillman, R |
15 December 2016 | Aspetti metodologici in uno studio etnografico sul semah degli Aleviti
| De Rosa, S |
6 November 2017 | Aspirational circus glamour: rethinking the circus grotesque through female aerialists of the interwar period
| Holmes, Kate |
7 May 2014 | Authenticity and Representation: Council Estate Plays at the Royal Court
| Bell, C; Beswick, K |
18 February 2021 | Autobiophony as Wellbeing
| Thomaidis, K |
30 November 2019 | A Mis-Guide to Kochi
| Narayanan, K; Vijayan, S; Pailey, A; et al. |
21 October 2020 | A phonotechnics of vocal somaticity: an autobiophonic note
| Thomaidis, K |
11 January 2012 | A Place for opportunity: The Block, representing the Council Estate in a youth theatre setting
| Beswick, K |
1 April 2002 | A Postcolonial Tempest in Florianopolis
| Stanton, William |
9 June 2016 | A Trialectical Cusp: between the real and the represented At the bus stop in SPID Theatre Company’s 23176
| Beswick, K |
18 December 2020 | A Voice Is. A Voice Has. A Voice Does
| Thomaidis, K |