15 February 2019 | The always-not-yet / always-already of voice perception: training towards vocal presence
| Thomaidis, K |
9 September 2022 | Art for the labour movement and everyday acts of political culture
| Hillman, R |
7 December 2018 | Biyi Bandele’s Theatre of the Afropolitan Absurd
| Pearce, M |
31 March 2021 | Class, Race, and Marginality: Informal Street Performances in the City
| Beswick, K |
1 January 2016 | The Council Estate as Hood: SPID Theatre Company and grass-roots arts practice as cultural politics
| Beswick, K |
10 December 2019 | Enacting Community on Dartmoor: MED Theatre’s Badgerland: A Dartmoor Comedy (2015) and the spatial praxis of community theatre
| Schaefer, KV |
5 June 2015 | Introduction: Voice(s) as a method and an in-Between
| Thomaidis, K |
5 December 2014 | Kwame Kwei-Armah's African-American Inspired Triptych
| Pearce, M |
30 September 2018 | The Lost Art of Agitprop and The Return of Socialist Praxis
| Hillman, RA |
28 May 2015 | Musicianship above all? New perspectives on training towards integrated bel canto performance
| Thomaidis, K |
21 October 2020 | A phonotechnics of vocal somaticity: an autobiophonic note
| Thomaidis, K |
24 June 2014 | Placebos, caring and healing in rheumatology
| Dieppe, P; Marsden, Debbie; Goldingay, Sarah |
22 May 2015 | The re-vocalization of logos? Thinking, doing and disseminating voice
| Thomaidis, K |
2014 | Singing From Stones: Physiovocality and Gardzienice's Theatre of Musicality
| Thomaidis, K |
28 November 2019 | Sites of Performance and Circulation
| Newey, KM |
14 December 2017 | 'The subject' and voice: Cross-Chapter Discussion
| Thomaidis, K; Cockburn, R |
2007 | Theatrical modernism: a problematic
| Ley, Graham |
12 April 2013 | The vocal body
| Thomaidis, K |
12 December 2017 | Voice: Forensics & Performance
| Thomaidis, K |
2015 | What is Voice Studies? Konstantinos Thomaidis
| Thomaidis, K |