Drama: Recent submissions
Now showing items 56-60 of 117
-
Answer the Question ‘How does nature nurture your training?’
(Taylor & Francis (Routledge), 11 October 2017)This is Evelyn O'Malley's contribution to the article. The full article is available via the DOI in this record -
Aspirational circus glamour: rethinking the circus grotesque through female aerialists of the interwar period
(Taylor & Francis (Routledge), 6 November 2017)In this article, the author challenges the designation of circus and circus disciplines, including aerial performance, as grotesque (Bakhtin 1984; Russo 1994). The term ‘glamour’ was used in interwar newspaper reports and ... -
Playing to type: Casting, ‘industry’ and ‘invisible training’ in the National Youth Theatre’s ‘Playing Up 2’
(Taylor & Francis (Routledge), 14 March 2018)Alongside its core actor and stage technician training activities, the National Youth Theatre of Great Britain runs a number of additional training programmes, targeting specific ‘marginalised’ groups. These are usually ... -
Voicing Belonging: Traditional Singing in a Globalized World. A Diphonic Editorial
(Intellect, 1 August 2017)Konstantinos Thomaidis (KT): Why conduct scholarly and artistic research on traditional singing in the global age? Given the dominance of new communication technologies and the unprecedented commodification of world cultures, ... -
The Arts Britain still Ignores?
(Taylor & Francis (Routledge), 8 April 2017)This Note offers a provocation surrounding questions of diversity in British theatre today. It is now 40 years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores which charted the range of arts ...