Drama: Recent submissions
Now showing items 61-65 of 117
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Re-defining the ‘contact zone’: Translation, transformation and the space in-between
(Intellect, 1 December 2016)This article explores the space ‘in-between’ in intercultural arts practice. Drawing on my engagement as an academic participant in the ArtsCross/Danscross project, I unpack Mary Louise Pratt’s term ‘contact zone’. Pratt ... -
Performing Moretonhampstead: rurality, participation and cultural value
(Taylor & Francis (Routledge), 9 January 2017)This paper is based on a multi-sited ethnography of subjects engaged in performance-based participation – amateur theatre, community-based theatre and Carnival – in the market town of Moretonhampstead on Dartmoor in the ... -
The vocal body
(Triarchy Press, 12 April 2013)In current understandings of voicing, especially in long-standing training formulae for actors and singers, the body is considered as a supporting mechanism. Good, healthy and aesthetically pleasing voice is produced when ... -
Musicianship above all? New perspectives on training towards integrated bel canto performance
(Cambridge Scholars Publishing, 28 May 2015)In this chapter I address the implications of mono-disciplinary or disciplinary-bound approaches for the training of opera singers. Rather than fully unpacking details of technique or proposing specific exercises and ... -
Introduction: Voice(s) as a method and an in-Between
(Routledge, 5 June 2015)