| 1 January 2015 | Adaptations of Joyce in the Fiction of Patrick McCabe
| McWilliams, EM |
| 29 February 2020 | American-Irish Literary Relations
| McWilliams, EM |
| 11 March 2022 | Badger: a short story
| Feaver, J |
| 29 June 2019 | Beckett's Disabled Language
| Salisbury, LA |
| 1 May 2018 | 'Bliss was it in that shirt to be alive': Connecting Romanticism and New Romanticism through dress
| Bernhard Jackson, EA |
| 30 November 2023 | Cameras
| Carver, B |
| 4 December 2013 | The Challenge
| Feaver, J |
| 18 May 2022 | Cotton Famine Poetry: Technology, Trade, and Transatlantic Discourse
| Rennie, S |
| 30 December 2020 | Depressing time: waiting, melancholia,
and the psychoanalytic practice of care
| Salisbury, L; Baraitser, L |
| 31 August 2018 | Diasporic and Transnational Writing 1950-present
| McWilliams, EM |
| 24 October 2018 | Dickens’s Global Circulation
| Gagnier, RA |
| 6 July 2016 | Draining the Irish Channel: Identity, Sustainability, and the Politics of Water
| Groom, N |
| 5 January 2021 | 'The dung-beetle's snowball': the philosophic narcissism of Claude Cahun's essay-poetry
| Gee, F |
| 1 October 2018 | Enter Mercury, Sleeping: Delivering Prayers on the Early Modern Stage
| Preedy, CK |
| 27 June 2016 | ‘Fishing after News’ and the Ars Apodemica: The Intelligencing Role of the Educational Traveller in the Late Sixteenth Century
| Williamson, E |
| 20 November 2018 | Front matter to Literatures of Liberalization: Global Circulation and the Long Nineteenth Century
| Gagnier, R |
| 23 January 2017 | Fugitive Pieces: F.T. Prince and Sculpture
| Pollard, N |
| 9 August 2020 | Gender Equality in British Film-making: Research, Targets, Change
| Cobb, S; Williams, LR |
| 29 March 2021 | Gender, Aura, and the Close-Up: Broadcasting Shakespeare for Female Audiences
| Aebischer, P |
| 30 August 2021 | Genres of Production and the Production of Genre: Gender, Genre and Technical Labour in the Arthur Freed Unit
| Hanson, H |
