Music and conflict transformation in Bosnia: constructing and reconstructing the normal

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Music and conflict transformation in Bosnia: constructing and reconstructing the normal

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dc.contributor.author Robertson, Craig en_US
dc.date.accessioned 2012-11-13T12:20:21Z en_US
dc.date.accessioned 2013-03-20T17:12:47Z
dc.date.issued 2010 en_US
dc.description.abstract Can music play a role in positive conflict transformation? Having developed a theoretical basis from a previous examination of the contrasting musical conflict transformation projects of the West-Eastern Divan Orchestra and Hip Hop, I have collected data on an inter-religious choir in Sarajevo, Bosnia-Hercegovina with an explicit conflict transformation remit. Data was collected using ethnographic interviews and participant/observations with fifteen of the choristers in an attempt to answer this question. There was no direct access to audience data and any references to audience reception are from the choir members’ points of view. This detail highlights the issue of application of cultural findings within the choir to the wider social context. For the purposes of this paper therefore any discussions of wider social context are assumed to be mediated through the choristers themselves as members of the choir and the larger Sarajevo and Bosnian society. This data is compared with the previously developed theories and emerging themes are discussed. The fieldwork is ongoing and this article is a summary of findings thus far. The data conflicts with many of the original theories and this highlights the importance of a grounded theoretical approach. The emerging themes include questions of Bosnian and musical identities; what is ‘normal’; ‘knowing one’s place’ in a formal musical environment; and the difference between the choir’s ‘mission’ of conflict transformation and the motivations of the choir members. The findings so far indicate that this particular music conflict transformation project has had some success but it is limited to the types of people who become involved as choristers or audiences (all current data on audiences is from recall from the choristers, as no data collection directly from the audiences was possible). Data also indicates that music projects themselves should be reflexive as conflict situations are not static. en_GB
dc.identifier.citation Vol. 2, No. 2, pp.38-55 en_GB
dc.identifier.uri http://hdl.handle.net/10036/3932 en_US
dc.language.iso en en_GB
dc.publisher University of Exeter en_GB
dc.relation.url http://musicandartsinaction.net/index.php/maia/index en_GB
dc.title Music and conflict transformation in Bosnia: constructing and reconstructing the normal en_GB
dc.type Article en_GB
dc.date.available 2012-11-13T12:20:21Z en_US
dc.date.available 2013-03-20T17:12:47Z
dc.identifier.issn 1754-7105 en_US
dc.description Theme issue on music and arts in conflict transformation en_GB
dc.identifier.journal Music and Arts in Action en_GB


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