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dc.contributor.authorRiiser, Solveigen_GB
dc.date.accessioned2012-11-13T12:23:18Zen_GB
dc.date.accessioned2013-03-20T17:12:55Z
dc.date.issued2010-05-22en_GB
dc.description.abstractThis article examines the role of national identity in the West-Eastern Divan Orchestra, an orchestra consisting of young musicians from Egypt, Israel, Palestine, Turkey, Lebanon, Syria and Iran. The article is built upon the idea that there are constant negotiations at play in the orchestra, including among the musicians internally, between them and the orchestra’s founder and conductor Daniel Barenboim, and between the orchestra and its larger political and geographical context. This article unveils the inner dynamics of the ongoing identity negotiations in the orchestra, and the politics and power-mechanisms informing and defining these negotiations.en_GB
dc.identifier.citationVol.2, No. 2, pp.19-37en_GB
dc.identifier.urihttp://hdl.handle.net/10036/3947en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttps://musicandartsinaction.net/index.php/maia/article/view/nationalidentityen_GB
dc.titleNational identity and the West-Eastern Divan Orchestraen_GB
dc.typeArticleen_GB
dc.date.available2012-11-13T12:23:18Zen_GB
dc.date.available2013-03-20T17:12:55Z
dc.identifier.issn1754-7105en_GB
dc.descriptionTheme issue on music and arts in conflict transformationen_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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