“Peace, Salaam, Shalom”: functions of collective singing in U.S. peace activism
Brooks, Jeneve R.
Date: 15 February 2010
Article
Journal
Music and Arts in Action
Publisher
University of Exeter
Abstract
This article adds to the emerging literature on music and conflict transformation by
highlighting the use of collective singing by U.S. peace activists when engaged in
various peace movement activities. Based on preliminary findings from focus
groups with peace activists and in-depth interviews with notable peace musicians,
this ...
This article adds to the emerging literature on music and conflict transformation by
highlighting the use of collective singing by U.S. peace activists when engaged in
various peace movement activities. Based on preliminary findings from focus
groups with peace activists and in-depth interviews with notable peace musicians,
this article asserts that group sing alongs have helped in mobilizing U.S. peace
activism efforts over the last four decades through three specific functions: 1)
extending frames to include broader peace and justice issues; 2) strengthening
cognitive liberation amongst activists; and 3) appealing to and reinforcing a wide
range of activists’ emotions. Although the group sing along may seem passé within
some activist circles, this article affirms that it has served and continues to serve
key functions in the peace protest repertoire. The article concludes with a
discussion of issues that threaten the future of group sing alongs and urges conflict
transformation practitioners and peace movement leaders to recognize the utility
of collective singing so as to reinvigorate this long-standing tradition within social
movements.
MAiA, Volume 2, Number 2
2010
Item views 0
Full item downloads 0