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dc.contributor.authorPettan, Svaniboren_GB
dc.date.accessioned2012-11-13T12:23:46Zen_GB
dc.date.accessioned2013-03-20T17:13:07Z
dc.date.issued2010en_GB
dc.description.abstractThis article provides a brief sketch of how scholars may be actively involved in conflict transformation efforts using music or the arts beyond their purely artistic connotations. Here I will explore the ways in which music has been employed in some ethnomusicological projects based on my personal experiences, which can hopefully stimulate debate and provide some ideas for other scholars in different branches of humanities and social sciences.en_GB
dc.identifier.citationVol.2, No. 2, pp.90-93en_GB
dc.identifier.urihttp://hdl.handle.net/10036/3950en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://musicandartsinaction.net/index.php/maia/indexen_GB
dc.relation.urlhttp://www.press.uillinois.edu/books/catalog/24rpx5kk9780252035456.htmlen_GB
dc.titleApplied ethnomusicology: bridging research and actionen_GB
dc.typeArticleen_GB
dc.date.available2012-11-13T12:23:46Zen_GB
dc.date.available2013-03-20T17:13:07Z
dc.identifier.issn1754-7105en_GB
dc.descriptionTheme issue on music and arts in conflict transformation. A longer version of this article is published in Music and Conflict, eds. John Morgan O'Connell and Salwa el Shawan Castelo-Branco, University of Illinois Press.en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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