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dc.contributor.authorMAiA Editorial Teamen_GB
dc.date.accessioned2012-11-13T12:24:12Zen_GB
dc.date.accessioned2013-03-20T17:11:16Z
dc.date.issued2010en_GB
dc.description.abstractThe articles in this issue address varied fields of performance: opera, rock music, and engaged theatre. Taken together, these pieces look in detail at how individual performers, prop-makers, directors, playwrights, composers, and others work interactively with aesthetic materials (e.g., scripts, lights, bodies, musical scores and instruments, etc.) to carefully design and carry out a ‘successful’ performance (both in terms of achieving a set aim of audience impact, as well as seamlessly integrating performer and performance). In other words, success in performance not only requires close attention to an artistic and aesthetic narrative, but also significant emotional and social management by individual performers to play a role in this narrative.en_GB
dc.identifier.citationVol. 3, No. 1, pp.1-2en_GB
dc.identifier.urihttp://hdl.handle.net/10036/3951en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://musicandartsinaction.net/index.php/maia/indexen_GB
dc.titleEditorialen_GB
dc.typeArticleen_GB
dc.date.available2012-11-13T12:24:12Zen_GB
dc.date.available2013-03-20T17:11:16Z
dc.identifier.issn1754-7105en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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