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dc.contributor.authorKnudsen, Jan Sverreen_GB
dc.date.accessioned2012-11-13T16:46:36Zen_GB
dc.date.accessioned2013-03-20T17:24:56Z
dc.date.issued2011en_GB
dc.description.abstractThis article examines implications of a postnational perspective on the music of minorities. As an example, the musical practices of a multiethnic hip-hop group in Norway are discussed with reference to musicological, linguistic and social studies. Lyrics and field observations present the complex image of a group of young people positioning themselves through music style, performance practices and language use. The article argues that a postnational perspective can provide a helpful approach to understanding the hybridized practices of minority youths engaged in globalized hip-hop culture, while it is also necessary to pay careful attention to the locally embedded discourses they take part in and contribute to shaping.en_GB
dc.identifier.citationVol. 3, No. 3, pp. 77-91en_GB
dc.identifier.urihttp://hdl.handle.net/10036/3977en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://www.musicandartsinaction.net/index.php/maia/article/view/multiethnic/69en_GB
dc.titleMusic of the Multiethnic Minority: A Postnational Perspectiveen_GB
dc.typeArticleen_GB
dc.date.available2012-11-13T16:46:36Zen_GB
dc.date.available2013-03-20T17:24:56Z
dc.identifier.issn1754-7105en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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