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dc.contributor.authorSchroeder, Jonathanen_GB
dc.contributor.departmentUniversity of Exeteren_GB
dc.date.accessioned2009-01-07T15:39:19Zen_GB
dc.date.accessioned2011-01-25T10:27:03Zen_GB
dc.date.accessioned2013-03-19T16:00:24Z
dc.date.issued2008-06-01en_GB
dc.description.abstractThe snapshot, a straightforward, generally unposed photograph of everyday life, has emerged as an important style in contemporary strategic communication. Many recent ads portray models in classic snapshot poses – out of focus, eyes closed, poorly framed – in contrast to more traditional and historical patterns of formal studio shots or highly posed tableaux. Companies such as Volkswagen, IKEA, American Apparel, Ford Motor Company, Apple, and Coca-Cola present snapshot-like images in their print, television and Internet communications. This paper begins a conceptual assessment of snapshot aesthetics as a strategic resource, adopting a genre-based perspective influenced by art historical methods and assumptions.en_GB
dc.identifier.citationUniversity of Exeter Discussion Papers in Management: Paper number 08/03
dc.identifier.urihttp://hdl.handle.net/10036/47149en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.ispartofseriesDiscussion Papers in Managementen_GB
dc.relation.ispartofseries08/03en_GB
dc.subjectphotographsen_GB
dc.subjectadvertisingen_GB
dc.subjectsnapshotsen_GB
dc.subjectaestheticsen_GB
dc.titleSnapshot Aesthetics as a Strategic Resourceen_GB
dc.typeWorking Paperen_GB
dc.date.available2009-01-07T15:39:19Zen_GB
dc.date.available2011-01-25T10:27:03Zen_GB
dc.date.available2013-03-19T16:00:24Z
dc.identifier.issn1472-2939en_GB
dc.descriptionPaper delivered at the EIASM Workshop on Imagining Business held at Oxford University, June 2008en_GB


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