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dc.contributor.authorAdarves-Yorno, Inmaculadaen_GB
dc.contributor.authorPostmes, Tomen_GB
dc.contributor.authorHaslam, S. Alexanderen_GB
dc.contributor.departmentUniversity of Exeteren_GB
dc.date.accessioned2009-05-11T16:00:42Zen_GB
dc.date.accessioned2011-01-26T09:56:04Zen_GB
dc.date.accessioned2013-03-20T11:16:50Z
dc.date.issued2006-09en_GB
dc.description.abstractThis paper develops an analysis of creativity that is informed by the social identity approach. Two studies are reported that support this analysis. Study 1 (N=73) manipulated social identity salience and the content of group norms. The group norm was either conservative (i.e. promoted no change) or progressive (i.e. promoted change). When social identity was salient and the group norm was conservative, a non-novel proposal was perceived to be more creative. Study 2 (N=63) manipulated social norms and identity relevance. Results showed that while social norms influenced perceptions of creativity, identity relevance influenced positivity but not perceptions of creativity. These findings support the idea that perceptions of creativity are grounded in the normative content of group membership and self-categorization processes.en_GB
dc.identifier.citationVol. 45, No. 3, pp. 479-497en_GB
dc.identifier.doi10.1348/014466605X50184en_GB
dc.identifier.urihttp://hdl.handle.net/10036/67814en_GB
dc.language.isoenen_GB
dc.publisherBritish Psychological Societyen_GB
dc.subjectcreativityen_GB
dc.subjectsocial identityen_GB
dc.subjectidentificationen_GB
dc.subjectgroup normsen_GB
dc.subjectleadershipen_GB
dc.titleSocial identity and the recognition of creativity in groupsen_GB
dc.typeArticleen_GB
dc.date.available2009-05-11T16:00:42Zen_GB
dc.date.available2011-01-26T09:56:04Zen_GB
dc.date.available2013-03-20T11:16:50Z
dc.identifier.issn01446665en_GB
dc.descriptionAuthors' draft; final version published in British Journal of Social Psychology, 45, 479-497en_GB
dc.identifier.journalBritish Journal of Social Psychologyen_GB


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