A Broom to the Head: “Cleaning Day” and the Aesthetics of Emergence in Dakar
dc.contributor.author | Poleykett, B | |
dc.date.accessioned | 2021-01-22T13:37:20Z | |
dc.date.issued | 2021-02-18 | |
dc.description.abstract | Senegal has a long tradition of the collective management of public space via community cleaning. Since the explosion of the popular ecology movement Set Setal (meaning clean and be clean in Wolof) in the early 1990s, “set” or hygienic aesthetics have been central to the construction and control of urban space and deployed to include and enfold but also expel citizens. In January 2020 the Senegalese President Macky Sall called on the population to join him in “Cleaning Days”, bypassing “set” practices. Cleaning Day was met with a response ranging from indifference to anger and open conflict. In this article I use Cleaning Day as lens to analyse the production and reception of set aesthetics in a time of “emergence”. Focusing on the power of subaltern practice to resist the encroachment of a state in search of meaningful symbols, I challenge the idea that contemporary urban aesthetics is geared towards the creation of a perceived continuity of interests organised around an aspiration to a global urban standard. | en_GB |
dc.description.sponsorship | European Union FP7 | en_GB |
dc.description.sponsorship | Wellcome Trust | en_GB |
dc.identifier.citation | Published online 18 February 2021 | en_GB |
dc.identifier.doi | 10.1177/0042098021993357 | |
dc.identifier.grantnumber | 336564 | en_GB |
dc.identifier.grantnumber | 203109/Z/16/Z | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/124471 | |
dc.language.iso | en | en_GB |
dc.publisher | SAGE Publications | en_GB |
dc.rights | © Urban Studies Journal Limited 2021. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). | |
dc.title | A Broom to the Head: “Cleaning Day” and the Aesthetics of Emergence in Dakar | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2021-01-22T13:37:20Z | |
dc.identifier.issn | 0042-0980 | |
dc.description | This is the final version. Available on open access from SAGE Publications via the DOI in this record | en_GB |
dc.identifier.journal | Urban Studies | en_GB |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | en_GB |
dcterms.dateAccepted | 2021-01-14 | |
rioxxterms.version | VoR | en_GB |
rioxxterms.licenseref.startdate | 2021-01-14 | |
rioxxterms.type | Journal Article/Review | en_GB |
refterms.dateFCD | 2021-01-22T13:28:34Z | |
refterms.versionFCD | AM | |
refterms.dateFOA | 2021-02-19T16:38:39Z | |
refterms.panel | D | en_GB |
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Except where otherwise noted, this item's licence is described as © Urban Studies Journal Limited 2021. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).