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dc.contributor.authorWong, YN
dc.contributor.authorHarman, V
dc.contributor.authorOwen, C
dc.date.accessioned2021-09-17T11:42:02Z
dc.date.issued2021-06-24
dc.description.abstractStrictly Come Dancing and Dancing on Ice are primetime reality television shows that promote partner dancing as a form of leisure in the UK. Both shows have consistently represented partner dancing as a partnership between a man and a woman. However, in 2019 and 2020male/male partnerships were introduced into both shows for the first time. Drawing on media reports that discuss these male/male partnerships, this paper explores how the partnerships were represented and made sense of by mainstream and LGBT + media. Employing thematic discourse analysis, we demonstrate how the male/male dance partnerships were framed by a complex and contradictory inclusive masculinity discourse. On the one hand, this discourse celebrated the male/male couples as evidence that Britain is a progressive society in which homophobia is in decline. At the same time, the representations largely centred on the male dance couples’ bromances while ignoring or silencing discourses of gay love or sex. We show that although the representations can be viewed as a positive step forward, there were also some limitations to the representations which necessitate more critical examination in future researchen_GB
dc.identifier.citationPublished online 24 June 2021en_GB
dc.identifier.doi10.1007/s41978-021-00087-2
dc.identifier.urihttp://hdl.handle.net/10871/127100
dc.language.isoenen_GB
dc.publisherSpringeren_GB
dc.rights© The Author(s) 2021. Open Access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.en_GB
dc.subjectMale/male partnerships en_GB
dc.subjectLGBT +en_GB
dc.subjectStrictly Come Dancing en_GB
dc.subjectDancing on Ice en_GB
dc.subjectInclusive Masculinity Theory en_GB
dc.subjectBallroom Dancing en_GB
dc.subjectIce Skating en_GB
dc.subjectPartner dancing en_GB
dc.subjectBromance en_GB
dc.subjectIntimaciesen_GB
dc.titleAnalysing Media Reactions to Male/Male Dance Partnerships On British Reality TV Shows: Inclusive Masculinity in Strictly Come Dancing and Dancing On Iceen_GB
dc.typeArticleen_GB
dc.date.available2021-09-17T11:42:02Z
dc.identifier.issn2520-8683
dc.descriptionThis is the final version. Available on open access from Springer via the DOI in this recorden_GB
dc.descriptionData Availability and Code Availability: Not applicable.en_GB
dc.identifier.journalInternational Journal of the Sociology of Leisureen_GB
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
dcterms.dateAccepted2021-06-08
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2021-06-24
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2021-09-16T12:26:38Z
refterms.versionFCDVoR
refterms.dateFOA2021-09-17T11:42:07Z
refterms.panelCen_GB


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©  The Author(s) 2021. Open Access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.
Except where otherwise noted, this item's licence is described as © The Author(s) 2021. Open Access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.