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dc.contributor.authorRoberts, T
dc.date.accessioned2022-01-04T10:49:39Z
dc.date.issued2022-01-03
dc.date.updated2022-01-04T08:44:49Z
dc.description.abstractTraditionally, the sense of touch—alongside the senses of taste and smell—has been excluded from the aesthetic domain. These proximal modalities are thought to deliver only sensory pleasures, not the complex, world-directed perceptual states that characterize aesthetic experience. In this paper, I argue that this tradition fails to recognize the perceptual possibilities of haptic touch, which allows us to experience properties of the objects with which we make bodily contact, including their weight, shape, solidity, elasticity, and smoothness. These features, moreover, may be indicative of how well-suited an object is for its function, and in feeling them we can thus feel the positive aesthetic quality of functional beauty.en_GB
dc.identifier.citationPublished online 3 January 2022en_GB
dc.identifier.doihttps://doi.org/10.1093/aesthj/ayab032
dc.identifier.urihttp://hdl.handle.net/10871/128270
dc.identifierORCID: 0000-0002-6675-7060 (Roberts, Tom)
dc.language.isoenen_GB
dc.publisherOxford University Press (OUP) / British Society of Aestheticsen_GB
dc.rights© The Author(s) 2022. Published by Oxford University Press on behalf of the British Society of Aesthetics. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.en_GB
dc.titleFeeling Fit for Function: Haptic Touch and Aesthetic Experienceen_GB
dc.typeArticleen_GB
dc.date.available2022-01-04T10:49:39Z
dc.identifier.issn0007-0904
dc.descriptionThis is the final version. Available on open access from Oxford University Press via the DOI in this recorden_GB
dc.identifier.eissn1468-2842
dc.identifier.journalBritish Journal of Aestheticsen_GB
dc.relation.ispartofThe British Journal of Aesthetics
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2022-01-03
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2022-01-04T10:48:31Z
refterms.versionFCDVoR
refterms.dateFOA2022-01-04T10:49:44Z
refterms.panelCen_GB
refterms.dateFirstOnline2022-01-03


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© The Author(s) 2022. Published by Oxford University Press on behalf of the British Society of Aesthetics. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
Except where otherwise noted, this item's licence is described as © The Author(s) 2022. Published by Oxford University Press on behalf of the British Society of Aesthetics. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.