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dc.contributor.authorMehran, W
dc.contributor.authorByrne, M
dc.contributor.authorGibbs-Pearce, E
dc.contributor.authorMacfarlane, A
dc.contributor.authorMinihane, J
dc.contributor.authorRanger, A
dc.date.accessioned2022-05-25T10:23:50Z
dc.date.issued2022-05-22
dc.date.updated2022-05-24T17:29:49Z
dc.description.abstractResearch shows that humour plays a significant role in the formation of a collective identity and ‘creates a sense of internal cohesion’ based on shared experiences [Fominaya, C. F. (2007). The role of humour in the process of collective identity formation in autonomous social movement groups in contemporary Madrid. International Review of Social History, 52(S15), 243–258. https:// doi.org/10.1017/S0020859007003227]. In this paper, we focus on humour in jihadi English magazines. This study is based on 82 English magazines published by the Taliban, ISIS, Al-Qaeda and Tahrik-e Taliban Pakistan (TTP). This research takes a mixed method of analysing data both qualitatively and quantitatively. The findings point to a statistically significant difference amongst these groups in the type of humour they utilise. In general, AlQaeda, the Taliban, and TTP show similar patterns in the types of humour they employ, a pattern that often stands in stark contrast with ISIS. ISIS is more likely than Al-Qaeda, the Taliban or TTP to use dehumanising and mocking humour while less likely than these groups to use situational humour, which is a less negative form of humour.en_GB
dc.description.sponsorshipMinerva Research Initiativeen_GB
dc.identifier.citationPublished online 22 May 2022en_GB
dc.identifier.doihttps://doi.org/10.1080/19434472.2022.2075028
dc.identifier.grantnumberFA9550-15-1-0373en_GB
dc.identifier.urihttp://hdl.handle.net/10871/129726
dc.identifierORCID: 0000-0003-0207-919X (Mehran, Weeda)
dc.language.isoenen_GB
dc.publisherTaylor & Francisen_GB
dc.rights© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.en_GB
dc.subjectHumouren_GB
dc.subjectjihadi rhetoricen_GB
dc.subjectISISen_GB
dc.subjectAl Qaedaen_GB
dc.subjectTalibanen_GB
dc.subjectTTPen_GB
dc.titleHumour in jihadi rhetoric: comparative analysis of ISIS, Al-Qaeda, TTP, and the Talibanen_GB
dc.typeArticleen_GB
dc.date.available2022-05-25T10:23:50Z
dc.identifier.issn1943-4472
dc.descriptionThis is the final version. Available on open access from Taylor & Francis via the DOI in this record. en_GB
dc.identifier.eissn1943-4480
dc.identifier.journalBehavioral Sciences of Terrorism and Political Aggressionen_GB
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/en_GB
dcterms.dateAccepted2022-05-04
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2022-05-22
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2022-05-25T10:19:30Z
refterms.versionFCDVoR
refterms.dateFOA2022-05-25T10:23:53Z
refterms.panelCen_GB
refterms.dateFirstOnline2022-05-22


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© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. 
This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.
Except where otherwise noted, this item's licence is described as © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.