‘Are we having fun yet?’: The Starz television network and Party Down as indie TV
dc.contributor.author | Lyons, J | |
dc.date.accessioned | 2023-09-18T10:07:19Z | |
dc.date.issued | 2023-09-30 | |
dc.date.updated | 2023-09-18T07:55:37Z | |
dc.description.abstract | This article examines the sitcom Party Down (2009-10) one of the first shows commissioned by the US premium cable service Starz as it sought to compete with HBO and Showtime, but cancelled after two seasons due to low ratings. Reports in 2021 of plans for its return characterised it as a ‘cult TV’ show revived due to fan demand. Yet by analysing its original production contexts and its aesthetic attributes the article argues that it is best understood as a proto-typical instance of ‘indie TV,’ aligned with Starz’ strategic positioning in relation to its indie-oriented subscriber base at that time. | en_GB |
dc.identifier.citation | Published online 30 September 2023 | en_GB |
dc.identifier.doi | https://doi.org/10.1177/17496020231201083 | |
dc.identifier.uri | http://hdl.handle.net/10871/134019 | |
dc.identifier | ORCID: 0000-0001-8686-8406 (Lyons, James) | |
dc.language.iso | en | en_GB |
dc.publisher | SAGE Publications | en_GB |
dc.rights | © The Author(s) 2023. Open access. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage). | |
dc.subject | Starz | en_GB |
dc.subject | indie TV | en_GB |
dc.subject | Party Down | en_GB |
dc.subject | American independent film | en_GB |
dc.subject | cable television | en_GB |
dc.subject | cult TV | en_GB |
dc.title | ‘Are we having fun yet?’: The Starz television network and Party Down as indie TV | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2023-09-18T10:07:19Z | |
dc.identifier.issn | 1749-6039 | |
dc.description | This is the final version. Available on open access from SAGE Publications via the DOI in this record | en_GB |
dc.identifier.journal | Critical Studies in Television | en_GB |
dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | en_GB |
dcterms.dateAccepted | 2022-11-22 | |
dcterms.dateSubmitted | 2022-08-02 | |
rioxxterms.version | VoR | en_GB |
rioxxterms.licenseref.startdate | 2022-11-22 | |
rioxxterms.type | Journal Article/Review | en_GB |
refterms.dateFCD | 2023-09-18T07:55:42Z | |
refterms.versionFCD | AM | |
refterms.dateFOA | 2023-12-20T13:46:47Z | |
refterms.panel | D | en_GB |
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Except where otherwise noted, this item's licence is described as © The Author(s) 2023. Open access.
This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).