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dc.contributor.authorPitts, FH
dc.date.accessioned2024-03-04T10:35:22Z
dc.date.issued2024-03-16
dc.date.updated2024-03-03T10:26:10Z
dc.description.abstractThis paper critically examines the transition from Marx to Spinoza within Antonio Negri’s postoperaist thought and explores a potential alternative rooted in Mario Tronti’s concept of the ‘autonomy of the political.’ In Negri’s postoperaismo, the embrace of Spinoza reevaluates Marx’s critique of political economy through an optimistic lens, suggesting a tendency beyond capitalism. However, Negri’s embrace of a Spinozian plane of immanence entails a problematic affirmation of what exists. The paper argues that Negri’s worldview, despite its beginnings, ends up resembling deterministic historical materialism. While critical theory exposes flaws in Negri’s theory, it falls short in providing a practical alternative. Returning to Negri’s interpretation of Spinoza’s Political Treatise uncovers earlier arguments, rooted in paradoxes inherent to practical politics. However, reliance on the concept of the multitude highlights deeper issues in Negri’s approach. Rather than adhering to postoperaismo or critical theory, the paper suggests an alternative in Tronti’s journey from operaismo, particularly in the concept of the ‘autonomy of the political’. Notwithstanding critiques, this attempted liberation from Marxist determinism allows for a clearer confrontation with politics. The paper concludes that Hardt and Negri’s recent critical engagement with this concept advances their arguments but does not entirely overcome inherent limitations in their approach.en_GB
dc.identifier.citationPublished online 16 March 2024en_GB
dc.identifier.doi10.1177/01914537241240430
dc.identifier.urihttp://hdl.handle.net/10871/135460
dc.identifierORCID: 0000-0002-3749-6340 (Pitts, Frederick Harry)
dc.language.isoenen_GB
dc.publisherSAGE Publicationsen_GB
dc.rights© The Author(s) 2024. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
dc.subjectPostoperaismoen_GB
dc.subjectNegrien_GB
dc.subjectTrontien_GB
dc.subjectSpinozaen_GB
dc.subjectcritical theoryen_GB
dc.subjectthe politicalen_GB
dc.titleFrom the age of immanence to the autonomy of the political: (Post)operaismo in theory and practiceen_GB
dc.typeArticleen_GB
dc.date.available2024-03-04T10:35:22Z
dc.identifier.issn0191-4537
dc.descriptionThis is the final version. Available on open access from SAGE Publications via the DOI in this recorden_GB
dc.identifier.eissn1461-734X
dc.identifier.journalPhilosophy and Social Criticismen_GB
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
dcterms.dateAccepted2024-03-02
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2024-03-02
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2024-03-03T10:26:14Z
refterms.versionFCDAM
refterms.dateFOA2024-06-14T13:39:03Z
refterms.panelDen_GB


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© The Author(s) 2024. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
Except where otherwise noted, this item's licence is described as © The Author(s) 2024. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).