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dc.contributor.authorKrueger, J
dc.contributor.authorRoberts, T
dc.date.accessioned2024-04-02T09:55:59Z
dc.date.issued2024-04-12
dc.date.updated2024-03-29T13:11:15Z
dc.description.abstractAs technology improves, artificial systems are increasingly able to behave in human-like ways: holding a conversation; providing information, advice, and support; or taking on the role of therapist, teacher, or counsellor. This enhanced behavioural complexity, we argue, encourages deeper forms of affective engagement on the part of the human user, with the artificial agent helping to stabilise, subdue, prolong, or intensify a person's emotional condition. Here, we defend a fictionalist account of human/AI interaction, according to which these encounters involve an elaborate practise of imaginative pretence: a make-believe in which the artificial agent is attributed a life of its own. We attend, specifically, to the temporal characteristics of these fictions, and to what we imagine artificial agents are doing when we are not looking at them.en_GB
dc.identifier.citationPublished online 12 April 2024en_GB
dc.identifier.doi10.1007/s11245-024-10046-7
dc.identifier.urihttp://hdl.handle.net/10871/135659
dc.identifierORCID: 0000-0003-0931-1596 (Krueger, Joel)
dc.language.isoenen_GB
dc.publisherSpringeren_GB
dc.rights© The Author(s) 2024. Open access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.
dc.subjectAffectivityen_GB
dc.subjectArtificial Intelligenceen_GB
dc.subjectFictionalismen_GB
dc.subjectTemporalityen_GB
dc.titleReal feeling and fictional time in human-AI interactionsen_GB
dc.typeArticleen_GB
dc.date.available2024-04-02T09:55:59Z
dc.identifier.issn1572-8749
dc.descriptionThis is the final version. Available on open access from Springer via the DOI in this recorden_GB
dc.identifier.journalTopoien_GB
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
dcterms.dateAccepted2024-03-19
dcterms.dateSubmitted2023-12-16
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2024-03-19
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2024-03-29T13:11:22Z
refterms.versionFCDAM
refterms.dateFOA2024-06-28T12:26:18Z
refterms.panelDen_GB


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© The Author(s) 2024. Open access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.
Except where otherwise noted, this item's licence is described as © The Author(s) 2024. Open access. This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.