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dc.contributor.authorThorpe, C
dc.date.accessioned2024-12-16T13:58:53Z
dc.date.issued2025-03-13
dc.date.updated2024-12-16T13:41:41Z
dc.description.abstractThis paper uses analytical and conceptual resources from Strong Program cultural sociology to develop a non-reductive account of cultural representation, which is a corrective to the hegemony of Said-inspired studies. The latter blinds sociology to the symbolic significance of cultural representation as a force for “social good” in the following ways: 1) generating intra- and inter-cultural forms of solidaristic relations and identities; 2) challenging oppressive social structures and the interests of dominant actors, institutions, and the state; 3) reconstructing and re-energizing progressive social values; 4) criticizing existing social and cultural conditions. To demonstrate these claims, the first part of the paper delineates the central analytical concerns and theoretical structure of Said’s Orientalism, before turning to discuss the book’s wider significance for the development of the “Saidian Paradigm”, the dominant and paradigmatic approach to the study of cultural representation today. The second part of the paper shows how Strong Program thinking and resources can be used and adapted to explain changes to, and the moral purification of, the symbolic meanings of Italy and the Italians in England and Britain in the decades spanning the 1820s to 1860s. The Italian case is highly instructive for demonstrating the capacity of Strong Program thinking to bring into view problematics, phenomena, and processes that remain largely unperceived when viewed through the limiting lens of Said-inspired accounts of cultural representation. The paper concludes by reflecting on the ways Strong Program resources can be used to drive forward the study of cultural representation in new and unexplored ways.en_GB
dc.identifier.citationPublished online 13 March 2025en_GB
dc.identifier.doi10.1057/s41290-024-00249-1
dc.identifier.urihttp://hdl.handle.net/10871/139381
dc.identifierORCID: 0000-0002-1514-5638 (Thorpe, Christopher)
dc.language.isoenen_GB
dc.publisherPalgrave Macmillanen_GB
dc.rights© 2025 The author(s). For the purpose of open access, the author has applied a Creative Commons Attribution (CC BY) licence to any Author Accepted Manuscript version arising from this submission.
dc.subjectEdward Saiden_GB
dc.subjectOrientalismen_GB
dc.subjectStrong Programen_GB
dc.subjectcultural representationen_GB
dc.subjectcollective representationen_GB
dc.titleBeyond Said and the Saidian Paradigm: Towards A Strong Program Account of Cultural Representationen_GB
dc.typeArticleen_GB
dc.date.available2024-12-16T13:58:53Z
dc.identifier.issn2049-7113
dc.descriptionThis is the author accepted manuscript. The final version is available from Palgrave Macmillan via the DOI in this recorden_GB
dc.identifier.eissn2049-7121
dc.identifier.journalAmerican Journal of Cultural Sociologyen_GB
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
dcterms.dateAccepted2024-11-29
dcterms.dateSubmitted2023-08-12
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2024-11-29
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2024-12-16T13:41:44Z
refterms.versionFCDAM
refterms.dateFOA2025-03-31T14:06:28Z
refterms.panelCen_GB
exeter.rights-retention-statementNo


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© 2025 The author(s). For the purpose of open access, the author has applied a Creative Commons Attribution (CC BY) licence to any Author Accepted Manuscript version arising from this submission.
Except where otherwise noted, this item's licence is described as © 2025 The author(s). For the purpose of open access, the author has applied a Creative Commons Attribution (CC BY) licence to any Author Accepted Manuscript version arising from this submission.