dc.contributor.author | Krueger, Joel | |
dc.date.accessioned | 2015-03-25T16:48:43Z | |
dc.date.issued | 2015-05-24 | |
dc.description.abstract | I respond to Kersten’s criticism in his article “Music and Cognitive Extension” of my approach to the musically extended emotional mind in Krueger (2014). I specify how we manipulate—and in so doing, integrate with—music when, as active listeners, we become part of a musically extended cognitive system. I also indicate how Kersten’s account might be enriched by paying closer attention to the way that music functions as an environmental artifact for emotion regulation. | en_GB |
dc.identifier.citation | Vol. 9, No. 3-4 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/16623 | |
dc.language.iso | en | en_GB |
dc.publisher | Ohio State University, School of Music | en_GB |
dc.relation.url | https://ojs.library.osu.edu/index.php/EMR/article/view/4496/4194 | |
dc.subject | music perception | en_GB |
dc.subject | extended cognition | en_GB |
dc.subject | emotion regulation | en_GB |
dc.subject | musical artifact | en_GB |
dc.title | Musical manipulations and the emotionally extended mind | en_GB |
dc.type | Article | |
dc.date.available | 2015-03-25T16:48:43Z | |
dc.identifier.issn | 1559-5749 | |
dc.identifier.journal | Empirical Musicology Review | en_GB |