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dc.contributor.authorMcCarthy, Harry R.
dc.date.accessioned2017-01-03T15:06:01Z
dc.date.issued2016-12-19
dc.description.abstractThis article reviews a production of Francis Beaumont's The Woman Hater (1606) performed by Edward's Boys and presented at the University of Oxford's Catholic Chaplaincy in March 2016. The first mounting of the play since its debut at Paul's at the beginning of the seventeenth century, the production is highly praised for its reconstruction of boy company dramaturgy and the virtuosic performances of its young actors, leading the review to reflect upon the difficulty of reviving boy company plays and the requirements of a highly skilled ensemble to pull such an enterprise off.en_GB
dc.identifier.citationVol. 34, No. 4, pp. 719-23en_GB
dc.identifier.urihttp://hdl.handle.net/10871/25031
dc.language.isoenen_GB
dc.publisherJohns Hopkins University Pressen_GB
dc.relation.urlhttps://muse.jhu.edu/article/643820en_GB
dc.subjectComedyen_GB
dc.subjectBoy playersen_GB
dc.subjectEarly modern dramaen_GB
dc.subjectFrancis Beaumonten_GB
dc.titleThe Woman Hater: Reviewen_GB
dc.typeArticleen_GB
dc.date.available2017-01-03T15:06:01Z
dc.identifier.issn0748-2558
dc.descriptionThis is the final version of the article. Available from the publisher via the link in this record.en_GB
dc.identifier.journalShakespeare Bulletinen_GB
refterms.dateFOA2018-12-05T10:19:25Z


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