dc.contributor.author | Bergstroem-Nielsen, C | |
dc.date.accessioned | 2017-10-16T13:37:04Z | |
dc.date.issued | 2016-03-15 | |
dc.description.abstract | This article presents some keywords and concepts concerning free improvised
music and its recent developments drawing from ongoing bibliographical
research. A radical pluralism stems from musicians' backgrounds and the mixtures
and fusions of styles and idioms resulting from these mixtures. Seemingly very
diferent "performance-driven" and "play-driven" attitudes exist, even among
musicians who share the practice of performing at concerts. New models of
musical analysis aiming specifcally at free improvised music take into account
these interactional dimensions and point to the existence of certain typicalsounding
characteristics. | en_GB |
dc.identifier.citation | Vol. 5 (1), pp. 11-18 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/29850 | |
dc.language.iso | en | en_GB |
dc.publisher | University of Exeter | en_GB |
dc.relation.url | http://www.musicandartsinaction.net/index.php/maia/article/view/improvkeywords | en_GB |
dc.rights | © Music and Arts in Action 2016 | en_GB |
dc.subject | free improvisation | en_GB |
dc.subject | musicology | en_GB |
dc.subject | music analysis | en_GB |
dc.subject | sociology of music | en_GB |
dc.subject | semiology | en_GB |
dc.subject | performance practise (music) | en_GB |
dc.title | Keywords in Musical Free Improvisation | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2017-10-16T13:37:04Z | |
dc.identifier.issn | 1754-7105 | |
dc.description | This is the final version of the article. Available from the publisher via the link in this record. | en_GB |
dc.identifier.journal | Music and Arts in Action | en_GB |