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dc.contributor.authorWakao, Y
dc.date.accessioned2017-10-16T13:37:25Z
dc.date.issued2016-03-15
dc.description.abstractIn recent years, improvisation has been recognized as one of the most important tools for music therapy. Several accounts have been made concerning the importance of improvisation, each from a particular music therapists point of view. In this essay, my objective is to consider how modern, Western ideas concerning improvisation have informed the practices and philosophies of music therapy. I begin with a comparison of traditional Japanese ideas concerning creativity and modern Western conceptions of creativity and improvisation, focusing in particular on the influence of reflexive modernity. Next I consider the influence of reflexive modernity on improvisation within contemporary music therapy, discussing the psychologized tendencies of modern music and music therapy. I conclude by invoking Deleuze and Guattaris concept of line of fight to advocate for a model of music therapy that connects the music and the individual to something outside as in The Otoasobi Project in Japan and in various non-Western healing traditions.en_GB
dc.identifier.citationVol. 5 (1), pp. 5-10en_GB
dc.identifier.urihttp://hdl.handle.net/10871/29852
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://www.musicandartsinaction.net/index.php/maia/article/view/moderncreativityen_GB
dc.rights© Music and Arts in Action 2016en_GB
dc.subjectimprovisationen_GB
dc.subjectJapanen_GB
dc.subjecttherapyen_GB
dc.subjectmodernityen_GB
dc.titleThe Modern Idea of Creativity and its Influence on Music Therapyen_GB
dc.typeArticleen_GB
dc.date.available2017-10-16T13:37:25Z
dc.identifier.issn1754-7105
dc.descriptionThis is the final version of the article. Available from the publisher via the link in this record.en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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