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dc.contributor.authorRoms, H
dc.date.accessioned2018-12-20T13:26:27Z
dc.date.issued2018-10-29
dc.description.abstractIn November of 1968, Brian Lane, a little-known London artist with extensive contacts to the international neo-avant-garde, came to the small Welsh seaside town of Aberystwyth to stage a three-day programme of experimental art. Among the events was Lane’s Fluxconcert by and for Fluxus, featuring now classic Fluxus scores by artists including George Maciunas, George Brecht, Ben Vautier, Robert Watts and Mieko Shiomi. The article recounts the various efforts the researcher undertook to find out more about Aberystwyth’s Fluxus past, culminating in a reenactment of the original concert exactly forty years later.en_GB
dc.identifier.citationVol. 23 (4-5), pp. 382 - 388en_GB
dc.identifier.doi10.1080/13528165.2018.1506403
dc.identifier.urihttp://hdl.handle.net/10871/35236
dc.language.isoenen_GB
dc.publisherTaylor & Francis (Routledge)en_GB
dc.rights.embargoreasonUnder embargo until 29 April 2020 in compliance with publisher policy
dc.rights© 2018 Heike Romsen_GB
dc.titleWhen Fluxus Came to West Wales: A re-search in 12 actions – or, does a network have a margin?en_GB
dc.typeArticleen_GB
dc.date.available2018-12-20T13:26:27Z
dc.identifier.issn1352-8165
dc.description This is the author accepted manuscript. The final version is available from Taylor & Francis via the DOI in this recorden_GB
dc.identifier.journalPerformance Researchen_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dcterms.dateAccepted2018-06-01
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2018-10-29
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2018-12-20T13:22:51Z
refterms.versionFCDAM
refterms.panelDen_GB


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