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| Gagnier, R |
23 January 2017 | Fugitive Pieces: F.T. Prince and Sculpture
| Pollard, N |
9 August 2020 | Gender Equality in British Film-making: Research, Targets, Change
| Cobb, S; Williams, LR |
26 February 2021 | Gender inequalities and academic journal publishing: The view from the Journal of American Studies
| Jameela, M; Moynihan, S; Witham, N |
29 March 2021 | Gender, Aura, and the Close-Up: Broadcasting Shakespeare for Female Audiences
| Aebischer, P |
30 August 2021 | Genres of Production and the Production of Genre: Gender, Genre and Technical Labour in the Arthur Freed Unit
| Hanson, H |
30 March 2023 | The Geopolitics of Beauty
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9 December 2021 | The Geopolitics of Decadence
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13 September 2022 | Geopolitics, Migration, and Transcultural Processes
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10 May 2021 | Getting Over the Woman Problem: Creating an Inclusive Film Industry through Reclaiming The Frame
| Handyside, F |
27 September 2016 | Ghosts from Limbo Patrum: Dalkey Archive Press and Institutional Literary History
| Foley, A |
31 January 2018 | Global Circulation and Some Problems in Liberalism, Liberalization, and Neoliberalism
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1 March 2015 | The Global Circulation of Victorian Actants and Ideas in the Niche of Nature, Culture, and Technology
| Gagnier, Regenia |
1 July 2017 | The Global Circulation of Victorian Actants and Ideas: Liberalism and Liberalization in the Niche of Nature, Culture, and Technology
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27 September 2017 | Global intimacy and cultural intoxication: Japanese and South Korean film in the twenty-first century
| Gee, FC |
14 August 2015 | Global Studies
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1 March 2014 | Gloria SMH and Beckett’s Linguistic Encryptions
| Salisbury, Laura |
12 December 2017 | Google and advertising: digital capitalism in the context of Post-Fordism, the reification of language, and the rise of fake news
| Graham, Richard |
17 February 2019 | ‘Gore is the world’: embodying environmental risk in An Inconvenient Truth
| Lyons, J |
27 January 2015 | Gothic Fiction and the Evolution of Media Technology
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