1 May 2018 | Ben Hecht's Hard-Boiled Decadence: The Flaneur as Reporter
| Hext, K |
27 April 2020 | ‘Between-time stories’: waiting, war and the temporalities of care
| Salisbury, L |
30 December 2020 | Black, White and Blue: Pregnancy and Unsettled Binaries in The Masque of Blackness (1605)
| Aebischer, P; Sparey, V |
1 May 2018 | 'Bliss was it in that shirt to be alive': Connecting Romanticism and New Romanticism through dress
| Bernhard Jackson, EA |
25 February 2016 | A Body of Work: An Anthology of Poetry and Medicine
| Wagner, C; Brown, A |
22 November 2017 | Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film's urban underworld aesthetic
| Stadtler, FCJ |
1 October 2015 | Breaches in a Battered Wall: Invasion, Spectatorship, and the Early Modern Stage
| Preedy, CK |
23 October 2017 | Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol
| O'Brien, D; Stead, L; Nourse, N |
21 October 2020 | Broadcasting a Sinister ‘Jacobean’ Aesthetic from the Sam Wanamaker Playhouse: Sightlines, Camerawork and Websterian Dramaturgy in Ian Russell’s The Duchess of Malfi (BBC Four, 2014)
| Aebischer, P |
2015 | Brutal games: Call of Duty and the cultural narrative of World War II
| Ramsay, Debra |
17 October 2011 | Bulimic Beckett: food for thought and the archive of analysis
| Salisbury, Laura |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
31 October 2020 | ‘B’ for Blane and ‘B’ for budget: the productivity, and narrativity, of Warner Bros.’ Torchy Blane series (1937–1939)
| Hanson, H |
30 November 2023 | Cameras
| Carver, B |
12 January 2021 | Category choice in creative writing
| Nordberg, D |
4 December 2013 | The Challenge
| Feaver, J |
7 August 2015 | China in the 21st Century: on Borrowing, Translation, and Mixed Economies
| Lu, J; Gagnier, Regenia |
27 June 2018 | Christopher Logue, Alexander Pope, and the Making of War Music
| Power, H |
15 April 2020 | Cinematic Masculinity in the Age of Finance
| Steven, MA |