| 24 October 2018 | Dickens’s Global Circulation
| Gagnier, RA |
| 2013 | Digital humanities and crowdsourcing: an exploration
| Carletti, L; Giannachi, G; Price, D; et al. |
| 31 January 2021 | Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project
| Smithstead, L |
| 14 August 2020 | Digital Theatre Transformation: A Case Study and Digital Toolkit
| Aebischer, P; Nicholas, R |
| 30 October 2020 | Digital theatre transformation: a case study and digital toolkit: final report, October 2020
| Aebischer, P; Nicholas, R |
| 1 July 2016 | 'Ding Dong Dell'
| Feaver, J |
| 16 April 2020 | Diplomatic Letters as Political Literature: Copying Sir Henry Unton’s Letters
| Williamson, E |
| 1 June 2016 | 'Disco Feeling-Kin'
| Feaver, J |
| 9 December 2020 | Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
| Morrison, B |
| 1 September 1999 | “The disturbances overseas”: a comparative report on the future of English Studies
| Gagnier, Regenia |
| 10 December 2017 | “A Divine Kind of Rhetoric”: Rhetorical Strategy and Spirit-Wrought Sincerity in English Puritan Writing
| Parry, D |
| 2010 | The documentation and archiving of mixed media experiences: the case of Rider Spoke
| Giannachi, G; Rowland, D; Benford, S; et al. |
| 26 March 2019 | Documenting digital art: the role of the audience
| Giannachi, G |
| 1 August 2013 | Documenting Performance: Playing and Replaying Archives of Art and Heritage.
| Giannachi, G |
| 1 October 2015 | Documenting the user experience
| Giannachi, G |
| 20 June 2013 | Documenting the user experience: the cases of Blast Theory's Rider Spoke, Tate's Art Maps, RAMM's Moor Stories and Exeter Time Trails (Keynote address)
| Giannachi, G |
| 9 December 2009 | The Dragon and The Raven: Saxons, Danes and the problem of defining national character in Victorian England
| Parker, Joanne |
| 6 July 2016 | Draining the Irish Channel: Identity, Sustainability, and the Politics of Water
| Groom, N |
| 1 May 2012 | The Dream of a Transparent Body: Identity, Science and the Gothic Novel
| Wagner, C |
| 1 May 2012 | The dream of a transparent body: identity, science and the gothic novel
| Wagner, C |
