| 12 November 2015 | The King James Bible and biblical images of desolation
| Edwards, KL |
| 23 December 2019 | The lecture-brokers: the role of impresarios and agencies in the global Anglophone circuit for lantern lecturing, 1850-1920
| Kember, J |
| 1 February 2000 | The literary culture of early Stuart libeling.
| McRae, Andrew |
| 18 April 2018 | The Lost City of Cecil B. DeMille: Political Antiquity in Classical Hollywood
| Steven, MA |
| 12 July 2019 | The magic lantern: open medium
| Kember, J |
| 1 June 2016 | The “Other” Robert Bloomfield: “To Immagination” (1800) and the Quest for an Authentic Poetic Voice
| Rudd, AJ |
| 8 July 2016 | The Pageant of Mutabilitie: Virginia Woolf’s Between the Acts and The Faerie Queene
| Shackleton, D |
| 1 April 2015 | The Poetic Negotiations of a Gentleman Radical: Ernest Jones and the “Mighty Mind”
| Rennie, S |
| 31 October 2019 | The politics of hair: girls, secularism and (not) the veil in Mustang and Other recent French films
| Handyside, F |
| 31 March 2018 | The Primal is the Political: Psychotherapy, Engagement, and Narcissism in the 1970s
| Williams, PG; Edgar, B |
| 1 July 2015 | The problem of maternal violence: anatomy, forensic medicine and the mind
| Wagner, C |
| 4 September 2017 | The ragged claws of crisis: Reading ‘Prufrock’ in Detroit
| Steven, M |
| 27 February 2019 | The Smoke of War: From Tamburlaine to Henry V
| Preedy, CK |
| 14 May 2019 | The Strange Case of Byron Preiss Visual Publications
| Williams, PG |
| 3 August 2017 | The Surfaces of Contemporary Capitalism
| Baskin, JM |
| 1 December 2014 | The Sydney language: William Dawes in Australian literature
| Castles, B |
| 2016 | Television's 'True Stories': paratexts and the promotion of HBO's Band of Brothers and The Pacific
| Ramsay, Debra |
| 2009 | Temporal convergence in shared networked narratives: the case of Blast Theory's Day of the Figurines
| Benford, S; Giannachi, G |
| 2008 | Temporal Trajectories in Shared Interactive Narratives
| Benford, S; Giannachi, G |
| 6 April 2022 | Tennis as literary technique
| Carver, B |
