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| Gagnier, Regenia |
1 July 2017 | The Global Circulation of Victorian Actants and Ideas: Liberalism and Liberalization in the Niche of Nature, Culture, and Technology
| Gagnier, Regenia |
27 September 2017 | Global intimacy and cultural intoxication: Japanese and South Korean film in the twenty-first century
| Gee, FC |
14 August 2015 | Global Studies
| Gagnier, Regenia |
1 March 2014 | Gloria SMH and Beckett’s Linguistic Encryptions
| Salisbury, Laura |
12 December 2017 | Google and advertising: digital capitalism in the context of Post-Fordism, the reification of language, and the rise of fake news
| Graham, Richard |
17 February 2019 | ‘Gore is the world’: embodying environmental risk in An Inconvenient Truth
| Lyons, J |
27 January 2015 | Gothic Fiction and the Evolution of Media Technology
| Crawford, Joseph |
12 October 2019 | The Greatest Team-Up Never Told? Paul Buhle Theorizes the New Left and Underground Comix
| Williams, P |
1 April 2009 | Gurney and Fritz
| Kendall, Tim |
22 October 2019 | Gwendolyn Brooks and the Legacies of Architectural Modernity
| Gill, J |
8 November 2017 | H. G. Wells, Geology and the Ruins of Time
| Shackleton, DCE |
3 September 2018 | Hambone's Call: Nathaniel Mackey and Editorial Poetics
| Foley, A |
1 March 2019 | Hamlet’s ‘Spendthrift Sigh’: Emotional Breathing On and Off the Stage
| Tsentourou, PN |
10 May 2022 | Hart Crane: The "Architectural Art"
| Gill, J |
30 August 2007 | Headscarves, human rights, and harmonious multicultural society: implications of the French ban for interpretations of equality
| Wiles, E |
1 October 2016 | Herman Melville's Retirement
| Riley, PJ |
17 February 2021 | Hideous Hobgoblins: Monstrous Form in Darwin, Marx, and Joyce
| Steven, M |
2 October 2016 | High Road to Hell: Milton, Blake, McCarthy
| Steven, MA |
19 December 2019 | Histories of now: listening to women in British film
| Williams, L; Cobb, S |