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dc.contributor.authorPavis, M
dc.date.accessioned2021-08-18T14:18:46Z
dc.date.issued2021-08-17
dc.description.abstractLaw experts have been actively looking for solutions within the law to control Deepfakes since their emergence in 2017. This article puts forward performers’ rights as a suitable regulatory tool for Deepfakes, defined as synthetic performances produced using artificial intelligence systems. In many respects, performers’ rights represent a more sophisticated response to the challenges posed by Deepfake technology compared to existing legal remedies and reform proposals introduced to regulate Deepfakes. In making its case for performers’ rights as suitable regulatory response to Deepfakes, this article uncovers a tension: performers’ rights are an attractive solution to regulate Deepfakes but this technology challenges their scope of application. This is because Deepfakes uses content protected by performers’ rights (performances) in a way unforeseen by intellectual property policy-makers at the time these rights were introduced into law. Despite this limitation, performers’ rights remain one of the most attractive legal remedies in regulating Deepfakes, if adequately reformed. This article proposes two routes for the reform of performers’ rights to address this gap. The first involves an ad hoc modification of performers’ rights to ensure that performances manipulated by Deepfakes are covered. The second and preferred recommendation replaces the regime of performers’ rights with a regime of performers’ copyright. This small, yet important, change in legal regimes can be the difference between piecemeal, uneven and, therefore, ineffective protection against unauthorized Deepfakes and a harmonized international approach to the technology.en_GB
dc.identifier.citationPublished online 17 August 2021en_GB
dc.identifier.doi10.1177/13548565211033418
dc.identifier.urihttp://hdl.handle.net/10871/126810
dc.language.isoenen_GB
dc.publisherSAGE Publicationsen_GB
dc.rights© The Author(s) 2021. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).en_GB
dc.subjectDeepfakesen_GB
dc.subjectperformers’ rightsen_GB
dc.subjectintellectual propertyen_GB
dc.subjectlawen_GB
dc.subjectperformeren_GB
dc.subjectperformance synthetisationen_GB
dc.subjectdigital avatarsen_GB
dc.subjectUnited Kingdomen_GB
dc.titleRebalancing our regulatory response to Deepfakes with performers’ rightsen_GB
dc.typeArticleen_GB
dc.date.available2021-08-18T14:18:46Z
dc.identifier.issn1354-8565
dc.descriptionThis is the final version. Available on open access from SAGE Publications via the DOI in tis recorden_GB
dc.identifier.journalConvergence: The International Journal of Research into New Media Technologiesen_GB
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/en_GB
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2021-08-17
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2021-08-18T14:16:53Z
refterms.versionFCDVoR
refterms.dateFOA2021-08-18T14:18:57Z
refterms.panelCen_GB


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© The Author(s) 2021. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
Except where otherwise noted, this item's licence is described as © The Author(s) 2021. Open access. This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).