Don’t touch my hair: A feminist Nigerian/British reading of the woman who washed Jesus’ feet with her hair in Luke 7.36-50
dc.contributor.author | Obamakin, O | |
dc.date.accessioned | 2023-02-10T08:55:37Z | |
dc.date.issued | 2023-03-18 | |
dc.date.updated | 2023-02-09T19:46:13Z | |
dc.description.abstract | Contextual Theology recognises that Euro-American biblical interpretation has an enduring, complex, and contested legacy of silencing particular voices in relation to considerations of race/gender identity/religion and migration. Whilst postcolonial and African biblical interpretation have become more established in recent scholarship, there has been little, if any, consideration of the particular hybrid location of scholarship which is neither ‘African’ nor ‘European’ but formed precisely in the space formed by the long historical connections between these continents and peoples. As a Black British woman of Nigerian heritage, my ‘Afropean’ epistemological lens therefore, attempts to take into cognizance: hyper- sexuality, ‘otherness’, displacement, colonisation, and power. Here an Afropean epistemological lens is applied to the Woman who Washed Jesus’s Feet with her Hair in Luke 7.36-50. In doing so new possibilities arise beyond the hypersexualised Eurocentric interpretation of this woman displaying a highly erotic act. Using a Nigerian/British epistemology, informed by Emma Dabiri’s novel Don’t Touch My Hair (2019), in which hair is viewed as a symbol of colonisation, ‘otherness’ and displacement, this woman emerges not only as a sexualised figure, but also as a heroic female prophetess. | en_GB |
dc.identifier.citation | Published online 18 March 2023 | en_GB |
dc.identifier.doi | 10.1080/1756073X.2023.2179272 | |
dc.identifier.uri | http://hdl.handle.net/10871/132450 | |
dc.identifier | ORCID: 0000-0002-8117-7689 (Obamakin, Olabisi) | |
dc.language.iso | en | en_GB |
dc.publisher | Routledge | en_GB |
dc.rights | © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent. | |
dc.subject | Feminist Nigerian/British Interpretation | en_GB |
dc.subject | Afropean epistemology | en_GB |
dc.subject | Luke 7.36-50 | en_GB |
dc.subject | Postcolonial | en_GB |
dc.subject | Emma Dabiri | en_GB |
dc.subject | Don’t Touch My Hair (2019) | |
dc.title | Don’t touch my hair: A feminist Nigerian/British reading of the woman who washed Jesus’ feet with her hair in Luke 7.36-50 | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2023-02-10T08:55:37Z | |
dc.identifier.issn | 1756-073X | |
dc.description | This is the final version. Available on open access from Routledge via the DOI in this record | en_GB |
dc.identifier.eissn | 1756-0748 | |
dc.identifier.journal | Practical Theology | en_GB |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | en_GB |
dcterms.dateAccepted | 2023-02-07 | |
dcterms.dateSubmitted | 2022-08-03 | |
rioxxterms.version | VoR | en_GB |
rioxxterms.licenseref.startdate | 2023-02-07 | |
rioxxterms.type | Journal Article/Review | en_GB |
refterms.dateFCD | 2023-02-09T19:46:15Z | |
refterms.versionFCD | AM | |
refterms.dateFOA | 2023-03-20T11:13:20Z | |
refterms.panel | D | en_GB |
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Except where otherwise noted, this item's licence is described as © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group
This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.