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dc.contributor.authorJones, DH
dc.date.accessioned2023-11-16T13:58:07Z
dc.date.issued2023-02-21
dc.date.updated2023-11-16T10:44:15Z
dc.format.extent140-154
dc.identifier.citationIn: Beckett's afterlives: Adaptation, remediation, appropriation, edited by Jonathan Bignell, Pim Verhulst and Anna McMullan, pp. 140-154en_GB
dc.identifier.urihttp://hdl.handle.net/10871/134562
dc.identifierORCID: 0000-0001-9186-6114 (Jones, DH)
dc.language.isoenen_GB
dc.publisherManchester University Pressen_GB
dc.relation.urlhttps://manchesteruniversitypress.co.uk/9781526153791/en_GB
dc.rights.embargoreasonUnder embargo until 21 August 2024 in compliance with publisher policyen_GB
dc.rights© 2023 Manchester University Pressen_GB
dc.titleBeckett and new media adaptation: From the literary corpus to the transmedia archiveen_GB
dc.typeBook chapteren_GB
dc.date.available2023-11-16T13:58:07Z
dc.identifier.isbn9781526153791
dc.identifier.isbn1526153793
dc.descriptionThis is the author accepted manuscript. The final version is available from Manchester University Press via the link in this recorden_GB
dc.relation.ispartofBeckett's afterlives: Adaptation, remediation, appropriation
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2023-02-21
rioxxterms.typeBook chapteren_GB
refterms.dateFCD2023-11-16T13:56:09Z
refterms.versionFCDAM


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