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dc.contributor.authorRamshaw, S
dc.date.accessioned2016-10-04T13:07:52Z
dc.date.issued2011-01-31
dc.description.abstractModern ‘nonscripted’ theatre (NST) clearly owes much to improvisation. Perhaps less obviously, and more surprisingly, so too does modern law. In this article I will contend that, despite all the rules of evidence and procedure, statutes and legal precedents that fundamentally govern the decisions and actions of a judge, it is only through ‘spontaneity’ that judgment can take place. This claim may appear strange to those well-versed in the common law tradition which proceeds on the basis of past legal decisions, or reason where no precedent exists. NST, on the other hand, is assumed to rely heavily on the unprecedented and unreasoned. Therefore, when the public watches a NST production, it places its faith in the belief that what is being observed is entirely new and is being produced ‘on the spur of the moment’.en_GB
dc.identifier.citationVol. 14 (1), pp. 133 - 159en_GB
dc.identifier.urihttp://hdl.handle.net/10871/23752
dc.language.isoenen_GB
dc.publisherUniversity of Wollongongen_GB
dc.relation.urlhttp://ro.uow.edu.au/ltc/vol14/iss1/9en_GB
dc.titleJamming the Law: Improvised Theatre and the “Spontaneity” of Judgmenten_GB
dc.typeArticleen_GB
dc.identifier.issn1322-9060
dc.descriptionThis is the final version of the article. Available from the University of Wollongong via the URL in this record.
dc.identifier.journalLaw Text Cultureen_GB


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