| 2011 | "6/8 rhythm" Meets "lova-tsofina": Experiencing Malagasy Music
| Fuhr, Jenny |
| 19 June 2009 | Accommodating the newfound strategic importance of educational technologists within higher education: a critical literature review
| Shurville, Simon; Browne, Tom; Whitaker, Marian |
| 2009 | The aesthetic imperative of a rational-technical machinery: a study in organizational control through the design of artifacts
| Witkin, Robert W. |
| 2009 | Agency and domination in communicative performance
| Miles, Stephen |
| 2010 | Applied ethnomusicology: bridging research and action
| Pettan, Svanibor |
| 1 June 2008 | Arts in ecology: questions of foresight
| Haley, David |
| 2017 | Aumi-Futurism: The Elsewhere and "Elsewhen" of (Un)Rolling the Boulder and Turning the Page
| Stewart, Jesse; Tucker, Sherrie; Williams, Peter A; et al. |
| 2011 | Bambeh’s Song: Music, Women and Health in a Rural Community in Post-Conflict Sierra Leone
| Bingley, Kate |
| 2014 | Beyond Decoding: Art Installations and Mediation of Audiences
| Farkhatdinov, B |
| 2011 | Call for Papers, Theme Issue: "Musical and artistic mediations"
| MAiA Editorial Team |
| 20 February 2007 | Canute rules the waves?: Hope for e-library tools facing the challenge of the "Google generation"
| Myhill, Martin |
| 8 December 2010 | The challenges of OER to Academic Practice
| Browne, Tom; Holding, Richard; Howell, Anna; et al. |
| 23 August 2013 | Championing the library: involving students in development, advocacy and stock selection
| Gale, Caroline |
| 5 July 2016 | Champions and e-books: using student Library Champions to inform e-book purchasing strategies
| Gale, CA |
| 2012 | Choral, Public and Private Listener Responses to Hildegard Westerkamp's École Polytechnique
| McCartney, Andra; McCarthy, Marta |
| 2009 | Collective identity and racial thought in São Paulo’s black gospel music scene
| Burdick, John Samuel |
| 2016 | Conflict and Reparation: The agency of music in modern monastic community dynamics
| Haste, AJ |
| 15 March 2016 | Creating A Dialogue through Improvisation in Cross-cultural Collaborations
| Sanderson, Griselda |
| 2016 | 'Criminals' Performing for Change: Budhan Theatre´s fight against injustice and police atrocity
| Bhatt, S |
| 1 June 2008 | Editorial
| MAiA Editorial Team |
