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dc.contributor.authorHauser, E
dc.date.accessioned2018-07-26T09:14:48Z
dc.date.issued2016-12-28
dc.description.abstractWhat we call things is important—it reveals what we think about the world. What we call ourselves, however, is even more important. It reveals ideas and assumptions about identity, gender, community. It helps us to see where we fit in in society; what we understand our purpose, our role to be; the kinds of activities we undertake. In a history where women have been largely barred from higher-paying, traditionally male occupations, the way in which women in particular use terminology to lay claim to skills and expertise in counterpoint to a generally male-dominant culture speaks volumes about the ways in which women see themselves and their relationship to their work. As Erica Jong puts it in her feminist essay, The Artist as Housewife, ‘naming is a form of self-creation’.en_GB
dc.identifier.citationVol. 45 (2), pp. 133-164en_GB
dc.identifier.doi10.1017/rmu.2016.8
dc.identifier.urihttp://hdl.handle.net/10871/33542
dc.language.isoenen_GB
dc.publisherCambridge University Press (CUP)en_GB
dc.rights© Aureal Publications 2016en_GB
dc.titleIn Her Own Words: The Semantics of Female Authorship in Ancient Greece, from Sappho to Nossisen_GB
dc.typeArticleen_GB
dc.date.available2018-07-26T09:14:48Z
dc.identifier.issn0048-671X
dc.descriptionThis is the author accepted manuscript. The final version is available from Cambridge University Press via the DOI in this record.en_GB
dc.identifier.journalRamusen_GB


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